One needn’t look too hard to find evidence that diverse workplaces are more innovative and tend attract a broader pool of new potential hires. And recent McKinsey research demonstrates that companies with diverse workforces perform better financially as well.
But, in a recent Books@Work session, a participant’s comment left me thinking about the inadequacies of diversity by itself. “Proximity is not inclusion” he said, referring to a story by Chinua Achebe, “Dead Men’s Path.” Reflecting on the story’s depiction of a spectacular failure of communication, he challenged the assembled group: If we can’t find ways to share our discomfort, challenge our assumptions, and open our apertures to the ideas and experiences of others, can we truly capitalize on diversity and move forward together?
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I have long been a fan of TED. A TED talk distracts you for 18 minutes with a cool “idea worth spreading,” satisfying the yen for a distraction but somehow alleviating the guilt associated with procrastination: like a particularly toothsome snack unaccompanied by the guilt of empty calories. Like many of you, I’ve watched my share over the years, admiring the interlocutory skill, the messaging and the clarity of thought they often represent. And, while I have a few favorites, the one I have watched and recommended more often than any other is Chimamanda Ngozi Adichie’s The Danger of a Single Story.
Adichie is a skilled writer, whose book Americanah numbers among my recent favorites. In The Danger of a Single Story, Adichie shares a cautionary tale – the negative power of literature (and in particular, the traditional Western canon) to weave uniform narratives about other cultures that distort and promote dangerous cultural misunderstanding. Through this “single story” tradition, literature can “open up new worlds” but can also concurrently “rob people of dignity,” dangerously emphasizing “how we are different rather than how we are similar.”
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Happy Friday! We’ve compiled our favorite articles and essays from the last month and beyond for you to browse and enjoy over the weekend.
“It takes more than a discounted health club membership to move the needle on employee well-being,” begins McKinsey Quarterly’s recent reflection on wellness in the workplace. Compiling emerging trends and thoughts on well-being from researchers, corporate leaders and McKinsey experts, McKinsey’s insights suggest a rising “willingness of leaders to invest in their people” and to see wellness in a broader light than just physical health. Director of the NeuroLeadership Institute David Rock shares that “connecting people socially gets a much bigger bang for the company buck than trying to help people eat better.” But is there science to back that up?
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O. Henry is one of the most beloved short story writers in American history. His stories are known for their wit and playfulness, often featuring misunderstandings and surprise endings. Born in North Carolina in 1862, O. Henry later moved to New York, using Manhattan and its societal divisions as fodder for his fiction. Henry is the namesake for the prestigious O. Henry Prize, awarded annually to the most outstanding published short story of the year.
As you read O. Henry’s “Two Thanksgiving Day Gentlemen,” consider why traditions and rituals like Thanksgiving are so important to us.
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Happy Friday! We’ve compiled our favorite articles and essays from the last month and beyond for you to browse and enjoy this weekend.
This summer, NPR shared a print segment about the work lives of oil rig workers from their podcast Invisibilia. In 1997, Shell began construction on “the world’s deepest offshore well,” a 48-story deepwater platform called Ursa. The unprecedented project challenged all notions of how the rig’s workers would plan and build safely. “Even though the men faced the risk of death every day,” one oil worker said, “they never showed any vulnerability. This made the work even more perilous, because the men didn’t ask for help, didn’t admit if they weren’t up to a certain job.”
Can being more vulnerable lead to a safer work environment?
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In 2016, singer-songwriter Bob Dylan became the first musician to win the Nobel Prize for Literature, sparking a debate about the nature of “literary” writing. Can we equate song lyrics with poetry? Should we distinguish between songwriters and a novelists? Does Dylan deserve the same literary prestige as Toni Morrison and Pablo Neruda?
Can we embark on a mindful literary exploration of one of Bob Dylan’s most famous songs?
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Happy Friday! As usual, we’ve compiled our favorite articles and essays from the last month for you to browse and enjoy this weekend.
Harvard Business Review launched a fantastic series at the end of September focused on the epidemic of loneliness in the workplace. Former United States Surgeon General Vivek H. Murthy writes in the cover story:
“Even working at an office doesn’t guarantee meaningful connections: People sit in an office full of coworkers, even in open-plan workspaces, but everyone is staring at a computer or attending task-oriented meetings where opportunities to connect on a human level are scarce. Happy hours, coffee breaks, and team-building exercises are designed to build connections between colleagues, but do they really help people develop deep relationships?”
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If a piece of art explores a universal idea, a specific detail often exposes the particular, redirecting a viewer’s emotions to a more personal connection and creating an opportunity for deeper reflection on beauty, love, loss or other ideas. So does the power of detail bring us each closer to an otherwise daunting piece of art.
But the visual arts have not cornered this space. Good literature also has the power to use detail to catapult us back into our own lives, to render personal even the most distant stories.
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More often than we may realize, one person’s voice, quietly asserted in a moment, changes how an entire group sees things. I witnessed such a moment a few weeks ago during a Books@Work session that brought together police officers and community members to discuss Gabriel García Márquez’s story “The Handsomest Drowned Man in the World.” The story is a classic example of the literary genre known as magical realism – but this moment in the discussion gave new meaning to that term.
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